I have invited my guest and friend Ian Turnbull to share his thoughts about language.
Beyond Language?
It
is obvious that language is an ancient thing; it is how we communicate, not
only with our contemporaries but across the ages. We can understand our
antecedents through what we have received: we can pass on knowledge and culture
to our descendants. Indeed, language itself tells a story of where we have come
from.
Can
the written word in poetry and plays be more powerful than written history? If
Churchill was right and history is written by the victors, what of truth then?
Where do we seek enlightenment about the great questions that our existence
poses? Where do we examine truth or ideas, pose questions, expand our
comprehension of what is and is not possible? Go beyond the bounds of our own
experience?
For
even when our fellow man is imprisoned, starved of the freedom to roam, cut off
from all that is inspirational, great works are created. When Bunyan, our local
author, was gaoled for "pertinaciously abstaining" (not attending an
Anglican church), he wrote his best known work, Pilgrim's Progress.
Recently
I was prompted by a learned friend to look at some Victorian poetry. I decided
to reread a work I was familiar with, Binsey
Poplars by Gerard Manley Hopkins, which laments the felling of trees. Here
a picture is portrayed, not just of the trees, but of what the trees offered to
the Binsey, and of what man could enjoy. And of what he knew was taken from him,
as the trees were taken. What progress did we enjoy for the loss of these
trees? Who knows if any? It is lost in
the midst of time. Yet we have a man's lament for the lost environment which
will stay with us longer than the trees would have survived.
If
English is our native tongue we are sure to have come across the works of
Shakespeare. Though much of his humour and guile may be lost without further
guidance, we know he examined human truths in his works. In Hamlet's soliloquy “To
be or not to be?” he was examining whether a man should continue with his very
existence. Most of us, no matter what life throws at us, answer the question,
even if passively by just continuing to exist. We choose “to be.” Yet for some,
to choose to be is a struggle, an epic feat of defiance against the
circumstances in which they find themselves. Tragically for some, without even
considering the alternative in the reasoned manner of Shakespeare, or maybe
without counsel, they choose “not to be”. Shakespeare wrote Lear's great speech
in the storm, where a king who had once sat in his court now battles against
the elements, exposed, without sanctuary.
At the height of the drama, Lear declares: "I am a man more sinned
against than sinning!" There the
author is asking another great question; he invites us to judge a king. Where
could a mere commoner in those days have done this? There it is, the very lynch
pin of the downfall of Lear, the tragedy unfolding due to his egotism. How many
other men of power have succumbed to this worthless inner desire and made such
poor judgement? Do we see echoes of Nebuchadnezzar eating grass? Poetry
and plays can explore a simple or complex truth so much more easily than
history books, for who knows the real truth in history? In a simple phrase, we
can understand a strength or failing, a loss or gain, the deep despair caused
by the darkness in humanity or the almost indescribable joy of love, that
wonderful gift that humanity can share.
What
though of things that we communicate beyond our comprehension? What then? How
do we express ourselves? Sometimes we hear a hymn or read a passage and know it
has conveyed more to us then the words would be expected to present through
critical examination.
I
find inspiration in many hymns; one in particular portrays to me what it is to
have Christian faith: Wesley's ‘And Can It Be’. It is a portrayal of salvation.
The very opening line is written so you know there is more, more in abundance.
Wesley starts with a conjunction, something which in my school generation would
not have been tolerated, yet there it is. Is it just poetic use of language for
dramatic effect? Is it that Wesley had little time for the rules of English
grammar? I believe the author uses it as a conjunction joining two phrases, the
first of which is unwritten. I believe Wesley experienced something beyond his
use of the English language, a relationship with the true and living God, an
aspect of his existence beyond even his words, his conveyance of praise in
which we can share. It is there, centuries later, implicit, to help us consider
our relationship with our Saviour.
So
what about when your experience is beyond your command of language or even language
itself; and yet you know you have an irresistible urge to utter it?
Recently
I was invited by a pastor to attend a service at his church, which I did.
Something happened that day; I knew it was where I should be. I knew what the
sermon was to be on, as he and I had enjoyed a great time of fellowship earlier
in the week, when he told me of the passage he was to preach on and the message
he wanted to convey. It was Acts 2, a passage of empowerment, of receiving the
supernatural, of being commissioned by God, and the signs that it has happened.
When
I was baptised a great friend of mine, baptised on the same day, gave his
testimony. Part of it was a story of a man who falls from a path to certain
death, but grabs hold of a tree branch and hangs on. He shouts for help, for
someone to save him. He hears an answer: I can save you, but you have to let go
of the tree.
What
do we have to let go of, for us to walk with God? Do we even sometimes have to let go of our
speech, casting aside the control we have, the constructs, that which we were
learning even in the womb, the rhythm and intonations of our parents’ voices? For us to experience communication with our
Lord and Saviour in its fullest, should our words come from us, or should we
experience something that surpasses our own language?
If
we are not cessationists, then our belief as Christians is that when our words
fail, we can be empowered to communicate in language which is not learnt, but
is a gift from God, without constraint, but with His limitless wisdom.
Maybe
when we let go, we receive far more than we could ever contemplate or reason.
Maybe we can speak a language that once was spoken when man's nations were not
yet formed, and God and man conversed freely.
Ian Turnbull
Brighton, East Sussex
UK
December 14, 2012
Written
with some help from across the Atlantic , from
a nation sharing a common language - well almost.
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